
It's like green screening but in reverse. You'd define an initial target area and palette within that parameter.
Then frame by frame you could define a maximum range of field change therefore eliminating all colours within the palette range and outside the shape definition. After that it's just be about sorting out any common factors in both definitions or writing an equation/code that would clear that up for you.
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Thu 19 Mar 2009, 9:20,
archived)
Then frame by frame you could define a maximum range of field change therefore eliminating all colours within the palette range and outside the shape definition. After that it's just be about sorting out any common factors in both definitions or writing an equation/code that would clear that up for you.