
Although, for example, the time signatures are constantly shifting and bear little resemblance to much else you'll hear from before KHS' time.
One of his Klavierstücke, for example, will touch 142/8 fleetingly, before eventually wheeling round to do it again.
I find Kontakte hugely enjoyable nowadays, although I couldn't sit through the whole thing back in my 20s without hallucinogens.
Pre-electronic microtonal composers are worth a listen. There's an old BBC documentary about Harry Partch on youtube, and he has the most remarkable tale to tell. (Part 1: www.youtube.com/watch?v=4cKnTj2cyNQ)
Enjoyable debate, btw, based on such a small stimulus!
( , Thu 9 Aug 2012, 23:44, Reply)