
but I'd greyscale both images, lighten barry a bit/ fuck with his curves, then do the layer with a really smudged edge.
Like I say though, that's probably not the right way to go about it, I just do what works for me.
( ,
Fri 23 Jan 2009, 13:51,
archived)
Like I say though, that's probably not the right way to go about it, I just do what works for me.

aaaaaargh
mindpissage
( ,
Fri 23 Jan 2009, 13:54,
archived)
mindpissage

Of course you did.
( ,
Fri 23 Jan 2009, 14:00,
archived)


Add pink tone to the the guys to keep the old news paper feel.
Save a copy of them as a really low jpg and use that in a layer behind them to match the paper jpg image. Could use the back image with one of the layer blends but cant think which one.
Facet or add noise to any blur work done should you smudge or blur to blend the edges.
the curves will have to be fucked with rather a bit.
( ,
Fri 23 Jan 2009, 14:01,
archived)
Save a copy of them as a really low jpg and use that in a layer behind them to match the paper jpg image. Could use the back image with one of the layer blends but cant think which one.
Facet or add noise to any blur work done should you smudge or blur to blend the edges.
the curves will have to be fucked with rather a bit.

I'd still grey scale all of it, just I'd take it back to RGB once I'd finished it and THEN recolour.
Having fucked with the curves, of course.
( ,
Fri 23 Jan 2009, 14:02,
archived)
Having fucked with the curves, of course.

dough nut selection around the seam and average soften and use some noise filters maybe screw around with the brightness and contrast and whack some purple hue on the Barry layer. but effectively get the same result. also my best tip for photo shop is to uninstall it and use paint shop pro. Not the best advice in the world.
( ,
Fri 23 Jan 2009, 14:02,
archived)