trane was alright, but even in Davis's late 50's sextet I thought adderley was the better sax player
better phrasing and dynamics. people worship trane for his innovation, but as with free jazz I reckon part of the appeal is that by appearing to like the shrillness, the unmelodic dissonance, by association they too will seems cool and complex. /b3ta jazzfight
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cumquat may will not be commenting further on the allegations, Wed 22 Jul 2020, 0:11,
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I agree about Adderely - I have been hammering Milestones for the first time in decades
and the richness of his tone stands out.
I used to be really into free jazz, until I noticed the one thing you're not free to do is to get into a groove, which is the opposite of free.
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fred zeppelin II: Electric Boogaloo, Wed 22 Jul 2020, 10:06,
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