then you need a record industry right
maybe a better run not so fucking greedy one, but a recording industry would enable you to generate more income from doing what you love no?
but i sympathise man, i'm a comedy-ish writer and work for an ad agency, i pay the bills and get some of my ideas made without hideous changes...
but im glad there is such an industry that says "are you creative, would you like some proper money to live and that...come do this for a bit...just dont take it too seriously"
sadly its the last part people forget and become massive arseholes!
( , Tue 7 Jun 2011, 13:55, Reply)
maybe a better run not so fucking greedy one, but a recording industry would enable you to generate more income from doing what you love no?
but i sympathise man, i'm a comedy-ish writer and work for an ad agency, i pay the bills and get some of my ideas made without hideous changes...
but im glad there is such an industry that says "are you creative, would you like some proper money to live and that...come do this for a bit...just dont take it too seriously"
sadly its the last part people forget and become massive arseholes!
( , Tue 7 Jun 2011, 13:55, Reply)
I think
You're sort of touching on a middle ground which I think is what I hope will happen. I almost see the music industry splitting in two and there will be one model which deals with fast-food music and another that deals with the stuff the creators and consumers genuinely care about. I think its sort of happening already, but with the funding imbalances you're describing. And I agree with you, I'm glad about a lot of what the traditional industry has done for various people.
The way I see it, there's nothing to worry about from either side of the coin. As a music consumer I see no reason to rage about x-facor, overproduced R&B or the downfall of the traditional industry model - its become something that hold no interest for me whatsoever and just plain doesn't affect me:
As an audience, the music I want to listen to (what I describe as "honest music", a pretentious genre I made up for when people ask me what I like :)) still gets made and I still get access to it, I just have to work a bit harder to find it and accept the occasionally lower production values - something I have absolutely no problem with and honestly prefer.
As a musician I can still make the music I want to make. I just have to try a bit harder to make it 100% what I want it to be :).
( , Tue 7 Jun 2011, 14:06, Reply)
You're sort of touching on a middle ground which I think is what I hope will happen. I almost see the music industry splitting in two and there will be one model which deals with fast-food music and another that deals with the stuff the creators and consumers genuinely care about. I think its sort of happening already, but with the funding imbalances you're describing. And I agree with you, I'm glad about a lot of what the traditional industry has done for various people.
The way I see it, there's nothing to worry about from either side of the coin. As a music consumer I see no reason to rage about x-facor, overproduced R&B or the downfall of the traditional industry model - its become something that hold no interest for me whatsoever and just plain doesn't affect me:
As an audience, the music I want to listen to (what I describe as "honest music", a pretentious genre I made up for when people ask me what I like :)) still gets made and I still get access to it, I just have to work a bit harder to find it and accept the occasionally lower production values - something I have absolutely no problem with and honestly prefer.
As a musician I can still make the music I want to make. I just have to try a bit harder to make it 100% what I want it to be :).
( , Tue 7 Jun 2011, 14:06, Reply)