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(, Sun 1 Apr 2001, 1:00)
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I barely consider his stuff dubstep anyway, but when I heard it I wondered when 'urban' music had got so clever. Ghostly samples, intricate, cleverly programmed beats and heartbreaking melodies. All that from a garage & grime background. Incredible.
It's like Mogwai- a bunch of Glaswegian teenagers when they did Helicon 1 & 2, brought out Come On Die Young when they were very early twenties- incredible depth in the music and breadth of influences.
At the time I was describing Burial's Untrue as 'CODY era Mogwai, as remixed in the rain by Go Plastic era Squarepusher, in a cave'.
Sums it up nicely.
(, Fri 25 Feb 2011, 19:44, 1 reply, 15 years ago)
www.youtube.com/watch?v=ZbJ-1g5dyVM
www.youtube.com/watch?v=b2YEVZZOWLY
www.youtube.com/watch?v=6zO7H2yGvrU
www.youtube.com/watch?v=hPb1w7s7iUQ
www.youtube.com/watch?v=heX7gXWk0FA
www.youtube.com/watch?v=q6ZJhMfOpMA
All quite commercial I think but I love each one for individual reasons.
(, Fri 25 Feb 2011, 19:46, Reply)
I heart that track. The way the melody and the sub interact is wonderful.
(, Fri 25 Feb 2011, 19:49, Reply)
www.youtube.com/watch?v=haAxsi9MKWA
Hahah ok yeah I already like it.
(, Fri 25 Feb 2011, 19:53, Reply)
Totally infectious.
See what I mean about how the rhythm reflects the melody when it breaks and reforms?
(, Fri 25 Feb 2011, 19:56, Reply)
I dunno, that may well be pretentious, but whatever I've been listening to for the past year somehow sounds more "modern".
(, Fri 25 Feb 2011, 20:06, Reply)
(, Fri 25 Feb 2011, 20:14, Reply)
Untrue's work with vocal samples is very very clever.
interviews:
www.guardian.co.uk/music/2007/oct/26/urban
www.thewire.co.uk/articles/347/
Mourning a movement he never directly experienced. Weird but touching.
(, Fri 25 Feb 2011, 20:22, Reply)
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