I have found
that engineers love to DI basses. Guess they know what they're talking about, so I just leave them to it.

Sounds like quite an odd set up, how do you communicate changes, etc... or do your songs have really rigid structures? We tend to mess about with structure quite a lot, which means we have to be able to see one another when we're playing live, or we have no idea what the singer's going to sing next exactly when to change to a different section.

It worked, either way. You've got some great recordings there. Were they all done in one take? I fuck up too often for that.
( Moey, Mon 8 Dec 2008, 16:16, Reply)