Nice try. This is actually the work of Edvard Gustavsson a Norwegian experimental filmmaker and follower of Bunuel. It's a film about death of course. See how the gate is ajar for Fred - our everyman - ushering him into a transcendence of the world of concrete and weeds. He enters a liminal space before meeting the great seahorse, or God. Note the shoe around Fred's neck, symbolising man's mortal path which, for Fred, now is over. On some level, it's having a conversation with the Divine Comedy, and Part 2 will no doubt follow Paradiso lines.
( , Sat 7 May 2022, 10:47, Reply)
We'll see,
Depends if Dante encountered any more inflatable animals or went to the city to visit his cousin Ralph.
( , Sun 8 May 2022, 6:38, Reply)
Depends if Dante encountered any more inflatable animals or went to the city to visit his cousin Ralph.
( , Sun 8 May 2022, 6:38, Reply)