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( , Sun 1 Apr 2001, 1:00)
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Even the otherwise-entertaining Howard Marks is a fucking sham. Someone else mixes his records whilst he stands there.
Anyone who’s had to endure a shite DJ will tell you that there’s an art to DJing which is not such an easy skill to master. Not even considering technical DJing (or ‘turntablism’)* which can be terrifying in its complexity and easily as skilful as playing a ‘proper instrument’ (it’s like being able to play guitar left and right handed – alternately, switching between them constantly, only a great deal more sensitively than you need to play a guitar), even the ability to select a progression of records throughout a set that works well, is harder than it seems. This must be true as so few people are any good at it. Having witnessed Andrew Weatherall play six-hour sets working through several genres without any noticeable join, I can tell you that when it is done well it can be awe-inspiring.
Hope this helps
*PS to really appreciate how difficult that shit is, you need to have tried it. People like Mixmaster Mike or QBert have a dexterity and musical intuition that is properly jaw-dropping.
( , Tue 20 Mar 2012, 16:53, 1 reply, 12 years ago)
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I thought you did a good job at your birthday bash BTW. sadly for you I am in a minority.
( , Tue 20 Mar 2012, 17:19, Reply)
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it's not like you're not aware of where you're posting it.
( , Tue 20 Mar 2012, 17:20, Reply)
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I can understand the 'running the crowd' and 'making the ambience' in a club setting -however, I can't see the celebrity bit.
( , Tue 20 Mar 2012, 17:39, Reply)
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The most famous performers are frequently of v limited technical ability aren't they? As with most artforms the most commercially successful exponents seldom deserve it...
( , Tue 20 Mar 2012, 18:02, Reply)
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