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( , Sun 1 Apr 2001, 1:00)
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In other news, I am listening to an old Adam Freeland mix. I wish breakbeat would come back, there were some stunning records around back then.
( , Thu 13 Dec 2012, 8:24, 2 replies, latest was 12 years ago)

I found that breaks scene to be basically slowed-down old hardcore. Nothing particularly wrong with that but pretty meh.
( , Thu 13 Dec 2012, 8:29, Reply)

You're thinking of a different strand of breaks. Freeland did nu skool breaks. Stuff like Forme, Bushwacka and Evil Nine.
Slowed down hardcore is more jump up breaks, like what your mate Matt Cantor was making.
Edit: The Next Level by Ils just came on. That's a fucking perfect breakbeat track.
( , Thu 13 Dec 2012, 8:33, Reply)

Some US muscle car. Claimed it permanently ruined his hearing.
The prick.
( , Thu 13 Dec 2012, 8:39, Reply)

His mixing is impeccable, and this mix was done on vinyl. You into Sasha at all? Some of his vinyl mixes are easily on par with the stuff he does on Ableton. Ridiculously high calibre mixing.
( , Thu 13 Dec 2012, 8:43, Reply)

Great technician, but a little fond of the gay end of the house spectrum for my tastes. Carl Cox is technically v good too, and played better records (back then).
( , Thu 13 Dec 2012, 8:45, Reply)

( , Thu 13 Dec 2012, 8:50, Reply)

and the end result of one of the only eBay bidding wars I have ever got involved in. I thought 'I will pay almost anything for this' and it was a costly decision.
( , Thu 13 Dec 2012, 9:01, Reply)

*opens value gin*
( , Thu 13 Dec 2012, 8:44, Reply)

Otherwise you would be basing a comparison of two records, only one of which you have actually heard.
( , Thu 13 Dec 2012, 8:44, Reply)

Percussive Thinking. I fucking love that drugged out, heads down, 3 am, dirty sound.
( , Thu 13 Dec 2012, 8:56, Reply)

( , Thu 13 Dec 2012, 9:07, Reply)
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