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( , Sun 1 Apr 2001, 1:00)
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I was always mildly amused at Plato launching his attacks on the drama by means of... um... an essentially dramatic form.
It's like using a TV programme to slag off TV. YOU HEAR THAT, CHARLIE BROOKER, YOU FAT, FATUOUS TWAT?
( , Mon 14 Sep 2009, 11:58, 1 reply, 16 years ago)

"Socrates" slags off Ion for being a...fuck, can't remember, bard in English, it's not quite a rhetor... ah well. But tells him he is not a true artist, just an interpreter of interpreters. That the poet gets his inspiration from the Muses, and interprets it. And in his recital he only interprets what has gone before.
Plato writing as Socrates? Interpreting what has gone before? Eh? Eh? EH?
( , Mon 14 Sep 2009, 12:04, Reply)

based on the idea that Plato was an annoyingly smarmy and meretricious student of Socrates, whom he spent his whole life following around and saying, "Wow! That's a tremendously clever thing to have said! I must write it down!"
( , Mon 14 Sep 2009, 12:07, Reply)

Socrates never wrote anything down. So much stuff would have been lost.
And you don't know what is Socrates and what is Plato. Socrates could have been a twat; Plato could just be making him make sense.
Or not.
( , Mon 14 Sep 2009, 12:09, Reply)

At least Plato wasn't above throwing in the odd pun here and there. And he's man enough to admit that most of the dialogues happen at drinking-parties.
( , Mon 14 Sep 2009, 12:13, Reply)
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