But personally I wouldn't want a flanger build into a chorus. Both work well together and that seems only to be able to do either or. Putting a phaser in there would be just as bad:P
(riverghostservicing your mum since,
Wed 7 Mar 2007, 13:29,
archived)
I concur
Plus, a whole line of boss effects pedals looks much more impressive on stage than one fancy box with lots of switches that pretends to do them all.
Even though it is annoying having to keep healthy batteries in all of them
ooh i see from your website that you are a bit of a music-stuff geek too
i designed and built a midi-to-cv converter, and have various midi projects in the pipeline when i can be arsed to buy a decent power supply
*runs away in shame*
(GoldenFanjitawhistle posse blow! horns crew i can't hear you!,
Wed 7 Mar 2007, 13:32,
archived)
You would be refering to the psycho-accoustic method of defining direction.
(riverghostservicing your mum since,
Wed 7 Mar 2007, 13:32,
archived)
i really don't think i am
edit: from re-reading your reply i think i get you. yes it's a very similar mechanism, the delay between your ears being created by distance and the speed of sound.
/geeking it up at lunch blog
(GoldenFanjitawhistle posse blow! horns crew i can't hear you!,
Wed 7 Mar 2007, 13:33,
archived)
It's how
I think you are:P Or he is. I studied psycho acoustics for quite quite a while.
But we'll test fuckster with what is the speed of sound?
(riverghostservicing your mum since,
Wed 7 Mar 2007, 13:36,
archived)
in a vacuum?
or in honey? ;)
(GoldenFanjitawhistle posse blow! horns crew i can't hear you!,
Wed 7 Mar 2007, 13:39,
archived)
There is a specific answer I'm looking for:P
(riverghostservicing your mum since,
Wed 7 Mar 2007, 13:40,
archived)