A couple of tracks still sound alright, the rest has aged really badly.
(, Thu 9 Jun 2022, 13:40, Reply)
or the production? Because I do think the songs are well written, but Trent Reznor was very much in the thrall of the tech of the time.
I used to love the Seinfeld-Style-Sampled-Slap of the original, but fuck me Sanctified is in another realm with Pino playing on it.
(, Thu 9 Jun 2022, 14:49, Reply)
Sin sounds very 80s, and Down In It was always a bit shit; it's a ripoff of Skinny Puppy with a godawful attempt at rapping.
Something I Can Never Have is one of the tracks that's aged well.
(, Thu 9 Jun 2022, 16:29, Reply)
Some record shop guy said "Hey, you like industrial stuff - you'll love this." I took it back.
They got better. Usually it's the other way round "I liked their early stuff" beard-stroking.
Still, they're one of the only bands I've ever walked out on - shite live experience. I'd far rather hear them in a club.
(, Thu 9 Jun 2022, 16:13, Reply)
Obviously clear influences from Ministry, Depeche Mode etc, but not 'industrial' in the same way as Throbbing Gristle or Skinny Puppy.
(, Thu 9 Jun 2022, 16:48, Reply)
I was most upset. Where's my screeching dalek vocals and fuzzy horror film samples?
(, Thu 9 Jun 2022, 16:55, Reply)
Awful sound, drawn out meandering versions of the less "danceable" tracks, and a few black silhouettes standing in front of a red screen for the entire thing - could have been anyone up there.
(, Thu 9 Jun 2022, 19:47, Reply)
that the digipack of 1996's antichrist superstar contains a photo of him with a tube going from his dick to twiggy's mouth
And now people have started accusing him of being a pervert
(, Fri 10 Jun 2022, 12:22, Reply)
(, Fri 10 Jun 2022, 16:42, Reply)