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(, Sun 1 Apr 2001, 1:00)
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Not that bad, really. How are you?
(, Tue 1 Feb 2011, 12:11, Reply)
Good session though, and I still have bass envy (in return for travelling all the way down to Tonbridge I get to play her husband's bass, which is an absolute beauty). Still haven't quite woken up this morning but I'm sure I'll come to life after lunch. Or fall asleep again. I haven't decided yet.
(, Tue 1 Feb 2011, 12:15, Reply)
I thought my zing was quite good, actually, especially as I am supposed to know/remember the structure of the piece and know that while it's improvisation it's tightly controlled and one soloist uses more notes and another fewer but more expression and surely when you play it you change the solos?
(, Tue 1 Feb 2011, 12:17, Reply)
We go for the usual approach of "bash through tune, violin solo over chords, guitar solo, bass solo, try and come back into the tune altogether."
But then I never had to study the piece in obscenely intimate detail. (And that may be why I can still enjoy it)
(, Tue 1 Feb 2011, 12:22, Reply)
You have Duke Ellington, early Louis Armstrong and Bennie Goodman. I'd rather you stayed away from the bebop, though, no one likes bebop.
I've just whapped Koko on now, it's one of the pieces I didn't mind doing to death.
(, Tue 1 Feb 2011, 12:26, Reply)
Parker I still can't get into, but Miles' earlier stuff is bebop, as is Coltrane's. And I don't really know where to put people like Oscar Peterson and Grant Green in the grand scheme of things. Oh, and we do a few Thelonious Monk tunes...this is just offending you more and more, isn't it?
(, Tue 1 Feb 2011, 12:31, Reply)
I was never that much of a fan. I'm a sucker for a nice tune. I wouldn't mind All Blues so much if it weren't so deathly boring, repetitive and a bit wanky, to be honest.
ALMOST 12 MINUTES FFS WHAT ARE YOU DOING
(, Tue 1 Feb 2011, 12:34, Reply)
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