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(, Sun 1 Apr 2001, 1:00)
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EXACTLY
To give you chance to vent about something I know winds you up, do you think Chase & Status write all their new stuff to the opening ten seconds of Pink Floyd's "Money"?
(, Thu 24 Feb 2011, 10:08, 1 reply, 14 years ago)
Yes.
They sometimes also motivate themselves with Mudhoney's version of The Money Will Roll Right in.
(, Thu 24 Feb 2011, 10:11, Reply)
I concur
Their transition from d'n'b wannabes to chart-friendly cash-machines was signifcantly more sudden than Pendulum's
(, Thu 24 Feb 2011, 10:16, Reply)
They have the same manager as Bendulum.

(, Thu 24 Feb 2011, 10:27, Reply)
Yeah, I know
Funny how their career trajectory changed so suddenly, eh? Now you've got Nero, signed to C&S' label, making more Pendulum-lite poppery. I shouldn't complain, from my point of view it's a hell of a lot better than the mid-90's, when everyone wanted to sound like Oasis
(, Thu 24 Feb 2011, 10:32, Reply)
Everybody shit tried to sound like Oasis.
Spiritualized and Primal Scream made two of the finest albums of that period and sounded nothing like Oasis.
(, Thu 24 Feb 2011, 10:38, Reply)
You have to admit that Give Out But Don't Give Up was a change in direction for them though
Even if it was obviously much better than anything Oasis did, it wa still disappointing by their standards. And Screamadelica preceded Britpop, in fact part of my problem with that whole scene is that it killed British music's creativity stone dead just as it was threatening to get interesting.
(, Thu 24 Feb 2011, 10:48, Reply)
i was referring to Vanishing Point.
Their best record by a long way.

And compared to the first two, Give Out wasn't really a change in direction, just a step backwards.

The first three songs on it are superb though.
(, Thu 24 Feb 2011, 10:55, Reply)

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