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(, Sun 1 Apr 2001, 1:00)
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You now have my interest. Let me know how it goes.
(, Thu 22 Apr 2010, 14:38, 1 reply, 16 years ago)
I probably won't be able to stop rabbiting about it on Monday.
It will be a shame to miss out on the beautiful sunny weather we're supposed to get on Sunday, but hopefully it will be worth such a sacrifice.
(, Thu 22 Apr 2010, 14:40, Reply)
we've never put a bass through an amp. it's always D.I.'ed. you'd never know.
just to reassure you, like.
(, Thu 22 Apr 2010, 15:00, Reply)
But still sceptical.
Basically the sound I want is something similar to John Entwistle's sound on the The Who's Substitute, but then I've played through plenty of bass amps which are designed not to distort and found them equally frustrating, so I'm probably getting unnecessarily het up about this.
(, Thu 22 Apr 2010, 15:04, Reply)
honest. although i can only speak from experience with their guitar stuff...
(, Thu 22 Apr 2010, 15:10, Reply)
Our guitarist went through a Line6 Spider once and it sounded fucking terrible. The clean sound had absolutely nothing going for it.
(, Thu 22 Apr 2010, 15:12, Reply)
but their pedals are good, and for studio use they're very handy.
i used a line6 PODxt before (the rack version) and that was awesome.
Having said that, Meshuggah use Line6 racks going straight into a PA live, and they sound fucking immense.
(, Thu 22 Apr 2010, 15:53, Reply)
not clean sound
for clean you need valves. fact.
I've used the pod for effects on the guitar before, and never really found it that satisfying. Better distortions from my marshall, or my boss pedal, delay isn't quite right etc.
can't help much with bass recording though, we have a double bass and used DI from the piezo pickup and two room mikes.
(, Thu 22 Apr 2010, 15:55, Reply)
that's pretty damn good at everything except really distorted stuff.
(, Thu 22 Apr 2010, 15:59, Reply)
and then into the mixing desk, rather than experiencing the effects through an amp or PA. I could never get it sounding meaty enough.
The phaser/flanger and all that work nicely, but the rest just didn't do it for me.
I'm not big on using effects other than distortion and delay for the most part though (using them myself that is, I like to listen to them)
I've gone old school now and use a fender valve amp, a boss blues driver and a boss delay pedal. glorious sounds!
(, Thu 22 Apr 2010, 16:02, Reply)
although i'm lacking in funds for valve amps at the moment. spent all my money on bass stuff!
(, Thu 22 Apr 2010, 16:06, Reply)
well, a decent one anyway.
I run an american Strat through a fender blues junior and it sounds beautiful.
(, Thu 22 Apr 2010, 16:08, Reply)
(, Thu 22 Apr 2010, 17:08, Reply)
Probably from my bad (and very limited) studio experience when the 'engineer' clearly couldn't be arsed and just plugged me straight into the desk and compressed the sound to fuck. Supposedly this Pod models amps, so if I can talk it into modelling a slightly overdriven bass head through a couple of nice 15" speakers, we'll get along fine. If not, I may have to have a massive flounce.
(, Thu 22 Apr 2010, 16:01, Reply)
you might be better off getting them to model an amp in the mixing software, that way you can record a dry signal and then piss about with it more in production.
(, Thu 22 Apr 2010, 16:03, Reply)
Although it may be a little off-putting if we're recording 'as live.'
My main concern is the song in which the bass is the lead instrument, but maybe I'll just to have to ask them to turn me up in the monitors and then, as you suggest, piss about with it afterwards.
(, Thu 22 Apr 2010, 16:05, Reply)
DI into the desk, through a hastily chosen, but suitable amp model in Logic, so I could hear it in the headphones/monitors, then ran the signal back out through my real amp afterwards.
(, Thu 22 Apr 2010, 16:06, Reply)
We're planning to blitz through everything and take it all home to mix on our drummer's computer, so I could always just get a decent take of everything and then run the signal back through my Laney afterwards.
(, Thu 22 Apr 2010, 16:08, Reply)
although you would need to get at least a couple of mikes on your amp to make sure you capture it nicely.
means you can loop it back through your amp and fiddle with the settings while it is playing which is pretty handy.
(, Thu 22 Apr 2010, 16:09, Reply)
I believe it's enough to get a mike in front of the speaker and probably a line out from the preamp. Might try and get a room mic in place for the solo though!
(, Thu 22 Apr 2010, 16:15, Reply)
there's nothing worse than recording and not being happy with the sound, which is why I recommend recording it DIed. Gives you more options after the fact
(, Thu 22 Apr 2010, 16:17, Reply)
I had to go for the Behringer Bass V-Amp. It's pretty good, but I imagine that Line 6 is so good it sucks you off while you're playing.
(, Thu 22 Apr 2010, 15:13, Reply)
(, Thu 22 Apr 2010, 16:03, Reply)
and their monitor speakers were shit compared the Fostex ones I ended up buying. BUT. For a very basic home studio set up it sounds good and is a fraction of the price of other equipment.
(, Thu 22 Apr 2010, 16:10, Reply)
and if so, or even if not, did you see that I posted a link to the second part?
would be interested to hear your horrible abuse on the back of it
(, Thu 22 Apr 2010, 16:12, Reply)
as had to use yousendit due to the size
link
edit: stupid https
this is part 2. It's a mere 27 minutes. part 1 was 38 I think.
(, Thu 22 Apr 2010, 16:18, Reply)
(, Thu 22 Apr 2010, 16:24, Reply)
indeed, but the files are too big because it's 27 min piece of music
(, Thu 22 Apr 2010, 16:26, Reply)
what sort of good stuff you can pick up second hand these days. my housemate is continually buying and selling new bits of PA equipment when better stuff comes along.
(, Thu 22 Apr 2010, 16:29, Reply)
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