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(, Sun 1 Apr 2001, 1:00)
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At least three of the no more than ten tunes featured are from the '80s. If you were going to compile an album of songs, the single criterion for which was simply that they came from a specific decade, wouldn't you at least have a quick peek at the release date of your potential choices?
I appreciate that this is perhaps my dullest post of all time, but for crying out loud.
(, Fri 23 Apr 2010, 22:29, 24 replies, latest was 16 years ago)
Its what your granny might buy for a young person. In six months it will be given away free in the Daily Fail.
(, Fri 23 Apr 2010, 22:57, Reply)
I still think a compilaton of '90s' music should at least have, y'know, '90s music' on it...
(, Fri 23 Apr 2010, 23:30, Reply)
that 90s music was shit.
So they had to get some stuff from the 80s.
Anyway, the 80s started in 1979 and ended in 1987.
1987 to 1998 was the 90s
There were two 70s, one went from around 1967 to 1976 and the second one went from 1976 to 1979.
(, Fri 23 Apr 2010, 23:39, Reply)
whilst you're right in that the dance music boom that started in the late 80s really made its mark in the 90s, I still feel that a tune like (the frankly rubbish) 'Ride on Time' really encapsulates the late 80s, having more in common with Stock Aitken & Waterman than the genuinely innovative 'rave' music that followed (and indeed preceded it in the form of the early Acid records of '88), despite it making its ghastly prescence felt at many an M25 orbital warehouse party.
If I had a point, I'm afraid it has now left the building.
(, Fri 23 Apr 2010, 23:57, Reply)
but I was at school with the Stock part of that trilogy. We was best mates and all. (Contains partial mis-statement.)
Wish it had been Pete Waterman - now he's cool.
(, Sat 24 Apr 2010, 0:01, Reply)
I don't like the Rap because I can't follow the language: can't hear it clear enough, and what I can hear is a different language spoken in English of a sort.
What annoys me is this - I'm fairly certain the stories told are honest, witty, fresh and clever but I can't understand them! And I'm also certain I'm not meant to. So sorry if I scorned a favourite music of yours.
(, Sat 24 Apr 2010, 0:09, Reply)
And most of the stories told are neither honest, witty, fresh nor clever, they're self-aggrandising, pointless bullshit, but it hasn't always been like that. There are brilliant critiques of that whole 'I'm a gangsta' bollocks like the marvellous 'Time's Up' by OC, in which he scorns that whole nonsense, and in a clearly-understandable language too:
www.youtube.com/watch?v=RzyaaMUCpWs
But also, can't you enjoy music that's in a genuinely foreign language? I think you can still feel the emotion and/or attitude in some records even if you cannot understand a fucking word of it. Just ask Japanese rockabillies...
(, Sat 24 Apr 2010, 0:16, Reply)
And I can only discern one tune used by all rappers. And it ain't much of a tune anyway.
Is it intended for white males pushing sixty?
(, Sat 24 Apr 2010, 0:20, Reply)
but neither is the heart-wrenching majesty of the Delta blues. Great music transcends all barriers of race, class and experience.
And I have to say you either aren't really listening or haven't heard the breadth of styles contained within the genre (which is perfectly fair enough). There are hip hop records that are based on everything from blues, doo-wop and jazz through the funk of the 70s right through to pioneering electronica like Kraftwerk.
If all you've heard is chart bollocks then you can be hugely forgiven for thinking 'it all sounds the same' but that's like assuming all rock'n'roll's the same because you've heard Elvis Presley.
(, Sat 24 Apr 2010, 0:25, Reply)
Of course, I can understand Mississippi John Hurt but I have to work at the allusions. 'Candy Man',eg, you now ain't about sweets, so you have to think about it.
Are you saying Grime is worth the effort?
*edit* sorry mate - I'm falling asleep. I'll read any reply and follow up when I can.
Good weekend to you.
(, Sat 24 Apr 2010, 0:31, Reply)
It really is shit. But I can still appreciate the verbal dexterity and inventiveness of some grime MCs - particularly when you consider that the practitioners are frequently chaps who've been written off by society as stupid and useless when there's clearly an intelligence and quick-wittedness at work that most people can only dream of.
(, Sat 24 Apr 2010, 0:36, Reply)
On balance I've decided to respect the privacy of those individuals. It seems they aren't addressing me so why should I eavesdrop?
You guess correctly - what little of this genre reaches my ears is in short snatches while, say, tuning in a radio, or my son's playing his iPod in the car, or some mindless retard insists on sharing from his GTi. (Believe me, when you're trying to work and some prat is paused in the road outside your window, car stereo jacked to 11 blasting bombastic gangsta crap - this happens a dozen times a day - in does not endear you to that genre.)
*Breathe* I shall now tune the wireless to radio 3 and have a nice cup of tea.
(, Sat 24 Apr 2010, 9:46, Reply)
that the 'year 0' idea of 1976 (I'm assuming, quite possibly erroneously, that you are referring to a 'before punk/after punk' notion) is entirely wrong.
I ALSO think that perhaps it's Monty's bedtime.
(, Sat 24 Apr 2010, 0:02, Reply)
Well I'm not. Shouldn't have logged on.
I gotta pee and get to bed.
Monday?
(, Sat 24 Apr 2010, 0:24, Reply)
since the kind of people who'll buy that album will also say "omg this is wel old but its stil good lol" on hearing a song that was released more than a year ago. The 1990s are ancient history to them.
(, Sat 24 Apr 2010, 0:35, Reply)
I shall compile an album of 'Bebop Classics of the 1940s', featuring 'No Limits' by 2Unlimited, and 'Seven Tears' by The Goombay Dance Band, and watch the pounds roll in.
(, Sat 24 Apr 2010, 0:47, Reply)
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