Agreed
Even if it did go by the ridiculous title of "Ooooh Eeee". However I think it's fair to say that most of the credit for the record's quality goes to Ghostface rather than Ronson
(Darth Foxtrot A one-man army dedicated to making fetch happen, Wed 21 Jul 2010, 16:17, 1 reply, 16 years ago)

Yes and no
- the beat's a lovely bit of 70s disco rap style, but Ghostface is a quality MC without doubt. One of my rarest new-skool hip hop records is a 1-sided copy of his 'Daytona 500' where he rhymes over Bob James' 'Nautilus'. Fucking love it.
( Monty Boyce, My cheese game is strong, Wed 21 Jul 2010, 16:20, Reply)

I remember making the rookie mistake of dismissing Ghostface out of hand when his debut solo album was released,
simply because he was in Wu-Tang and after Ol' Dirty Bastard's ridiculous Return to the 36 Chambers I was firmly of the opinion that they should all shut the fuck up unless RZA was providing the beats

Silly me
(Darth Foxtrot A one-man army dedicated to making fetch happen, Wed 21 Jul 2010, 16:39, Reply)

The proliferation of dodgy Wu-Tang LPs ruined their mystique for me.
Killah Priest etc? Fuck off.
( Monty Boyce, My cheese game is strong, Wed 21 Jul 2010, 16:42, Reply)

Absolutely
I will defend all three of Method Man's Tical albums with the pointy end of a Camberwell Carrot, but that's more for the man's innate skills and sense of humour than any association with the likes of Inspectah Deck
(Darth Foxtrot A one-man army dedicated to making fetch happen, Wed 21 Jul 2010, 16:55, Reply)