 Off Topic
 Off TopicAre you a QOTWer? Do you want to start a thread that isn't a direct answer to the current QOTW? Then this place, gentle poster, is your friend.
(, Sun 1 Apr 2001, 1:00)
« Go Back | See The Full Thread
 there's a lot more to it than that, Frank
	there's a lot more to it than that, Frank(, Wed 6 Mar 2013, 20:44, 4 replies, latest was 13 years ago)
 if you're using real records, then I agree,
	if you're using real records, then I agree, If you're just using cds and beat matching then it's fairly straightforward if you have a decent and ranged music taste
(, Wed 6 Mar 2013, 20:58, Reply)
 nah, CDJs don't make it that much easier. you still need to cue, match speeds, keep the tracks in sync
	nah, CDJs don't make it that much easier. you still need to cue, match speeds, keep the tracks in syncAnd the actual mixing part isn't that difficult. Yeah, there are DJs like Zabiela and Dave Clarke who are incredibly skilled, but most of DJing us about selection and sequencing. Shit hot mixing with shit tunes is still a shit DJ, great tunes with patchy skills is much more preferable. Obviously, the best case scenario is impeccable skills with impeccable selection, and creative mixing does bring a lit more to the table than just lining up the kick drums, knocking off the bass, bringing it in for 16 bars, switching the bass over and bringing it out.
Fuck it Windypops, I've never let you down with links to tunes, I'll hook you up to some cracking mixes. I expect you'll prefer breaks and techno to house.
(, Wed 6 Mar 2013, 21:27, Reply)
 so, you think which CD to press play on
	so, you think which CD to press play onthen while it's playing
you think which CD to play next
shit, I'm in awe, you guys are like concert pianists or something
(, Wed 6 Mar 2013, 21:29, Reply)
 I'm a psytrance man, techno I'm not in to.
	I'm a psytrance man, techno I'm not in to. I guess maybe I don't understand it, but what you described doesn't sound that hard.
(, Wed 6 Mar 2013, 21:31, Reply)
 the 16 bars, swap bass, cut thing is simple
	the 16 bars, swap bass, cut thing is simpleBut there are plenty of incredibly creative DJs doing very complicated things with time signatures and shit.
You fancy linkage?
(, Wed 6 Mar 2013, 21:34, Reply)
 if it's matching time signatures that are complimentary but not conventionally joined,
	if it's matching time signatures that are complimentary but not conventionally joined, I'll stick to live stuff. I'm more impressed by a band using crazy time signatures, than a man who can hear them and mix them.
(, Wed 6 Mar 2013, 21:42, Reply)
 how are time signatures "complimentary" ?
	how are time signatures "complimentary" ?how are they "conventionally joined"?
there's so much I could learn from this thread
(, Wed 6 Mar 2013, 21:59, Reply)
 don't be a dick frank.
	don't be a dick frank. With a bit if skill 4-4 can blend to a 7-8, but it's hard work. Zappa loved doing bars of 8-8 for 3 then a 9-8 then back to 8-8 then 4-8 5-8 8-8
Timr signatures are fluid.
(, Wed 6 Mar 2013, 22:04, Reply)
 Drum n bass used to have loads of rhythmic complexity
	Drum n bass used to have loads of rhythmic complexityIt went all loop based.
(, Wed 6 Mar 2013, 22:10, Reply)
 I'm trying to learn here and you're not helping me
	I'm trying to learn here and you're not helping meshare your wisdom, teach me these secrets please
(, Wed 6 Mar 2013, 22:16, Reply)
 wait, I get it now
	wait, I get it now1234567 1, 2, 3, 4
is when they're "conventionally joined" but
1234567 NIGNOG BANANA 1, 2, 3, 4
would be unconventional right? am I learning now? this is fun
(, Wed 6 Mar 2013, 22:18, Reply)
 I'm ready to open my offset triple valve now and get my plymetric leotard on
	I'm ready to open my offset triple valve now and get my plymetric leotard on(, Wed 6 Mar 2013, 22:19, Reply)
 1234567 I LIKE THAT JACKET YOU'RE WEARING 1, 2, 3, 4
	1234567 I LIKE THAT JACKET YOU'RE WEARING 1, 2, 3, 4must be complimentary time signatures
I understand now! thank you so much!
(, Wed 6 Mar 2013, 22:21, Reply)
 isn't 8/8 just 4/4 with eighth notes?
	isn't 8/8 just 4/4 with eighth notes?and 4/8, isn't that the same thing in 2/4?
I don't know really, I'm just talking about things I don't fully understand, I might throw a long word in in a minute
(, Wed 6 Mar 2013, 22:15, Reply)
 so why classify things as 4/8 if there is no such thing?
	so why classify things as 4/8 if there is no such thing? It's about the pulse of the music. It's more prominent in classical pieces, but it's to do with phrasing. You know this shit.
(, Wed 6 Mar 2013, 22:28, Reply)
 you know better frank.
	you know better frank. I'm an idiot pretending to know about music by posting long words. I really only play kazoo.
(, Wed 6 Mar 2013, 22:23, Reply)
 PD stop messing about and agree with somebody for once
	PD stop messing about and agree with somebody for onceI MEAN JUST ONCE WOULD THAT HURT?
(, Wed 6 Mar 2013, 21:32, Reply)
 admittedly, I do on occasion put the CD in upside down but then I'm not a professional
	admittedly, I do on occasion put the CD in upside down but then I'm not a professional(, Wed 6 Mar 2013, 21:07, Reply)
« Go Back | See The Full Thread

