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(, Sun 1 Apr 2001, 1:00)
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Sampling in music.
Theft or tribute?
IMO, it is unoriginal. Get yer own riff.
EDIT- It is decent if subtle, but OTT it becomes daft.
I don't like the implication that if a classic part of a song is put into a new song, it is an automatic improvement.
(, Tue 25 Oct 2011, 21:10, 39 replies, latest was 14 years ago)
Also ow!
up2.it/ali/archery+arm1.JPG
(, Tue 25 Oct 2011, 21:12, Reply)
Getting better at it, but it was the first time using fingerslings, so the draw was a bit different
(, Tue 25 Oct 2011, 21:14, Reply)
Jeff, man, you're doing it wrong
(, Tue 25 Oct 2011, 21:16, Reply)
Eeek! Hang on. I'm off to pleasure myself in a different way.
(, Tue 25 Oct 2011, 21:17, Reply)
He's Arnold, Arnold, Arnold Rimmer
More reliable than a garden trimmer
He's never been mistaken for Yul Brynner
(, Tue 25 Oct 2011, 21:20, Reply)
I mean, fuck off bert.
(, Tue 25 Oct 2011, 21:20, Reply)
A musical instrument is a machine (regardless of simplicity or complexity) which is used to make music. Sampling is no different to composing- every note has been played, every chord has been played so there is no 'original' music left, merely simulacra. The only difference between hearing a guitar being played to make a G chord and listening to the same chord coming from a sampler is in your cultural expectation.
Trying to argue that music made with samplers, computers or turntables is somehow 'inferior' or 'not real music' is pretty much the same as claiming that a novel typed using a computer isn't real writing because the author didn't use a pen. You should maybe go and read some Buroughs , Baudrillard and Barthes.
There is terrible, hackneyed, derivative music on both sides of the acoustic/electric divide.
And anyway, computers and samplers can do so much more with sound than can be achieved with traditional instruments.
EDIT: And once it's been recorded, it's a sample anyway. Is the OP seriously suggesting that the only worthwhile music is live? I sincerely hope not.
(, Tue 25 Oct 2011, 21:28, Reply)
It was composed using electronic means. You should have used a quill pen. I could just about countenance a fountain pen. But nothing more advanced than that.
(, Tue 25 Oct 2011, 21:32, Reply)
Karlheinz Stockhausen's "Hymnen" (1966) is one of the strongest and most extensive pieces based entirely on samples of other music, in this case national anthems.
Also, the earliest reasonably well-known piece to use a record player as an instrument in its own right is generally thought to be John Cage's "Imaginary Landscape No. 1" (1939).
(, Tue 25 Oct 2011, 22:03, Reply)
My point was that being a manipulation of a prerecorded sound does not disqualify it from being considered music.
(, Tue 25 Oct 2011, 22:06, Reply)
Would you do bad, bad things with and to Rihanna? This may involve leashes, whipped cream, stockings, red noses and vaseline.
(, Tue 25 Oct 2011, 22:19, Reply)
(, Tue 25 Oct 2011, 22:22, Reply)
Have a listen to Endtroducing or Ghostwriter for subtle, witty, emotional music made entirely from samples.
EDIT:
Or Coldcut
Or Portishead's first two records for the Burroughs effect. They recorded themselves to vinyl, then Geoff Barrow used the records for scratching and sampling. EXPLAIN THAT, FREEFAIR!
Or Attica Blues
Or vintage hip hop like Public Enemy, NWA, JVC F.O.R.C.E. or DJ Premier's stuff.
(, Tue 25 Oct 2011, 21:36, Reply)
Anywayz, I agree with you.
(, Tue 25 Oct 2011, 21:38, Reply)
Vulgar music for spastics. Go and have a listen to DJ Shadow's Building Steam With a Grain of Salt.
That's not to say I wouldn't want to do very bad things to and with Rihanna. Of course I would. But her music is shite.
Go on FreeFair, one knows one wants to.
(, Tue 25 Oct 2011, 21:40, Reply)
I remember a review at the time described it as 'both slyly knowing and brilliantly naive'.
Sums it up really. The only two non-sampled-from-a-record bits on it (apart from the scratching obv) is the vocal line on Mutual Slump and the vocal at the beginning of Midnight in a Perfect World.
Have you heard RJD2's first album Ghostwriter? It came out on Def Jux about 2002. Very very good- similar thing to Endtroducing but with rappers on a few of the tracks.
(, Tue 25 Oct 2011, 21:47, Reply)
I'll keep an ear out. I'm sure a couple of my mates have it.
I've been listening to some Future Sound of London recently, and another thing they did called Amorphous Androgynous, which is a compilation of psychadelic stuff. Very enjoyable.
(, Tue 25 Oct 2011, 21:49, Reply)
Papua New Guinea hasn't aged well.
Here's some RJD2 www.youtube.com/watch?v=SPuv6QE28yc
And I was incorrect, the album is called Deadringer. Ghostwriter is a track on it.
(, Tue 25 Oct 2011, 21:55, Reply)
I am an avid fan of instrumental hip hop. I collect vintage Mo Wax vinyl when I have the cash to buy wax.
(, Tue 25 Oct 2011, 22:01, Reply)
I am a confirmed postmodernist.
Culture ate itself a long time ago.
(, Tue 25 Oct 2011, 22:20, Reply)
I like the cut of your jib, is all.
That gobshite came in asking silly questions and I enjoyed your responses. I like it when people are passionate about music and form opinions based on understanding.
Culture? *reaches for revolver*
(, Wed 26 Oct 2011, 8:46, Reply)
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