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(, Sun 1 Apr 2001, 1:00)
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THE NEW QOTW NEEDS YOU URGENTLY!
(, Thu 4 Feb 2010, 12:41, 33 replies, latest was 16 years ago)
I think I may open my account by reposting last week's Bowie-rage, just whilst I warm up.....
(, Thu 4 Feb 2010, 12:53, Reply)
I got there first!
Still, you can never mock the White Duke enough, can you?
(, Thu 4 Feb 2010, 12:56, Reply)
Because, to be honest, I quite like Michael McIntyre, his appearance on Top Gear had me in stitches.
Also, while I can understand why others hate him, I fucking love Jeremy Clarkson, the man is genius.
(, Thu 4 Feb 2010, 13:00, Reply)
now he is shit
clarkson is fucking awesome
(, Thu 4 Feb 2010, 13:05, Reply)
(, Thu 4 Feb 2010, 13:07, Reply)
I don't particularly agree with a lot of what he says, but he does interesting things in entertaining ways
(, Thu 4 Feb 2010, 13:12, Reply)
Then I saw his thing on Top Gear, where he had Clarkson in tears. Was absolutely superb
(, Thu 4 Feb 2010, 13:07, Reply)
I can take him or leave him, but that appearance on Top Gear was pretty good.
(, Thu 4 Feb 2010, 13:21, Reply)
Given you can tell the clique bunch on Mock the Week don't like him at all. Seems a harmless enough guy. Reasonably watchable as well.
(, Thu 4 Feb 2010, 13:33, Reply)
The /all function has gone!
According to the note left people were using it to rig the vote.
Naughty b3tans.
(, Thu 4 Feb 2010, 13:09, Reply)
Rob talked to us on /OT and everything.
(, Thu 4 Feb 2010, 13:13, Reply)
Some celebrities I dislike and some I pity but I can't really think of any I hate.
(, Thu 4 Feb 2010, 13:12, Reply)
She's a fucking bitch, I hope she has all her children taken away and she ends up with a needle in her arm in a ditch.
(, Thu 4 Feb 2010, 13:30, Reply)
She must be the only person I know who has less self-esteem than I have.
(, Thu 4 Feb 2010, 13:49, Reply)
but fortunately I have tomorrow off so I can compose a lengthy response about Bono
(, Thu 4 Feb 2010, 13:13, Reply)
who is talking the most frightful bollocks:
www.b3ta.com/questions/famebacklash/post630791
It's actually giving me a headache.
(, Thu 4 Feb 2010, 14:31, Reply)
but when applied to the post it's not really valid.
Your argument isn't against music as a commercial venture as such, more the 'selling out' and constant changing of style to remain cool at the cost of artistic integrity.
(, Thu 4 Feb 2010, 14:53, Reply)
Music does need to change, and to an extent any and all musicians/ bands need to evolve and experiment but NOT at the cost of artistic integrity as with Mr Bowie.
The most recent example I can think of is 'The Editors'. They may not be everyones cup of tea but after 2 very good (if similar sounding) albums they churn out 'In this light' which is a huge change in direction and yet has the 'feel' of their earlier stuff and is, in my opinion, their finest work so far. They've changed the sound but not the music if that makes sense.
Know what I mean?
(, Thu 4 Feb 2010, 15:12, Reply)
Although I quite like them, I would consider them to be a band of the fashion-chasing whore variety
(, Thu 4 Feb 2010, 16:07, Reply)
...earnest socialists jump on bandwagons and chase the almighty dollar with major label help?
(, Thu 4 Feb 2010, 16:11, Reply)
and also the continual changing styles. Although they produced some brilliant stuff I can't help but think they were confused as to what genre they were aiming for. Maybe that was their intention - not to be defined and labelled as a punk/ska/reggae/rock band but I always feel a little confused. Sandinista is a prime example of this.
However, using a major label to increase awareness of ones music is not always a bad thing yet in many cases it does tend to clash with a musicians/band own ethos and cause friction. The case that springs to minds immediately is New Model Armys flirtation with EMI. They never (and I may be biased here as I'm a massive NMA fan) compromised their artistic integrity. EMI saw some brief success yet the level of success the label never fully materialised as the band were not willing to conform.
Chumbawamba are another prime example. They used to be good. Again, I was quite a fan. They release one 'major' single, get signed to a major label and fast become shit and they sell all their values and morals for a quick buck.
Would Nirvana have been so big if they stuck with Sub-Pop and not signed with Geffen? Again, I don't think the relationship betwen band and label would have lasted long. Geffen want the money, Nirvana wanted the creative freedom and exposure. The two conflict.
*end of waffle*
(, Thu 4 Feb 2010, 16:48, Reply)
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