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(, Sun 1 Apr 2001, 1:00)
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makes me think we need something more highbrow. So...
Jazz Corner
Thelonious Monk: uniquely inventive pianist or sonic equivalent of a retarded child let loose on a keyboard?
John Coltrane: groundbreaking avant garde soloist or just a massive onanist using the tenor sax as a penis substitute?
Or just tell me about some jazz that you liked or thought was pretentious shit. Or some jizz, to spare you the trouble of striking through that last setence.
(, Wed 19 May 2010, 15:41, 123 replies, latest was 16 years ago)
but I can listen to Cab Calloway for hours, especially Minnie the Moocher
(, Wed 19 May 2010, 15:43, Reply)
It's meant to be alcoholic drug abusers singing their dying hearts out.
(, Wed 19 May 2010, 15:44, Reply)
I do wish jazz would loosen up a bit and drop the snobbery though. I do wonder if that's the reason it's seen as highbrow these days, because so many modern 'free jazz' players just try to make it as obtuse and impenetrable as possible.
(, Wed 19 May 2010, 15:48, Reply)
Cream were good, in places, but most of his stuff is boring, or he has taken something like Crossroads and sucked all the life out of it.
(, Wed 19 May 2010, 15:52, Reply)
I would pick up my GLP copy and smash it into the Nazi bastard's mouth.
(, Wed 19 May 2010, 16:03, Reply)
Don't tar all Nazi bastards with the Clapton brush, please...
(, Wed 19 May 2010, 16:43, Reply)
Dear Nationalsozialistische Deutsche Arbeiterpartei,
So sorry for comparing you to Eric Fucking Clapton - it was a thoughtless remark which I regret saying.
DrT2
(, Wed 19 May 2010, 16:55, Reply)
exciting music than Clapton. If it wasn't for Riding with the King I'd probably want to shoot him.
(, Wed 19 May 2010, 16:05, Reply)
Superb guitar player - his work with John Mayall's Bluesbreakers and Cream spring to mind in particular - but just about everything he's done since Cream broke up has been utter shite.
I don't even think Layla is that good (although I do have a bit of a soft spot for the acoustic version)
(, Wed 19 May 2010, 15:52, Reply)
that if Peter Green hadn't gone batfuck insane after a bad drugs experience and had carried on playing guitar in the '60s then he would have been bigger than Clapton today. He was certainly a better songwriter and I've always thought he was a better guitarist.
If you're after some modern blues with a bit of passion in it, check out Ian Siegal. He's rather good.
(, Wed 19 May 2010, 16:00, Reply)
Oh Well is one of my all time favourite songs
I will do, cheers
(, Wed 19 May 2010, 16:02, Reply)
This song by Emily Loizeau. She doesn't really play blues, but this performance is a great blues number and is absolutely fucking awesome.
(, Wed 19 May 2010, 16:04, Reply)
But I used to listen to Layla with my first boyfriend. He wrote 'Clapton is God' on a wall in an alleyway.
Alan McDonald. I think he ended up a bit of a wrong'un.
(, Wed 19 May 2010, 15:55, Reply)
(, Wed 19 May 2010, 16:02, Reply)
that Tom Jones really, really shouldn't try to sing the Blues.
(, Wed 19 May 2010, 16:19, Reply)
Roota's ex is either nearly 70 now or was a fucking loser copying 60s graffiti, which was, even when it was first written, complete hogwash.
That said I wish Clapton WAS God ie he didn't exist.
(, Wed 19 May 2010, 16:24, Reply)
I did not know you meant YOUR 80s...
(, Wed 19 May 2010, 16:42, Reply)
but I've always wanted to. It always looks so cool when people go to smoke filled blue-tinged jazz clubs in films and drink neat spirits and wear cocktail dresses. *sigh*
Obviously no jazz club is going to be smokey anymore. And everyone probably wears jeans and drinks blue WKD.
(, Wed 19 May 2010, 15:48, Reply)
or in fact clubs in general, should be exempt from the smoking ban
(, Wed 19 May 2010, 15:49, Reply)
...and being disappointed. Same with the horrendous House of Blues franchise in the USA - the t-shirt is much better than the experience.
(, Wed 19 May 2010, 15:50, Reply)
As Chompy points out above, Jazz is seen as highbrow and middle class and so the jazz clubs seem to have picked up on that by being expensive and pretentious. Ain't Nothin' But and Charlotte Street Blues are good places to try if you're in London - same kind of atmosphere you're after and a bit more relaxed, and although no one wears cocktail dresses you can get decent grown-up beer in Ain't Nothin' But.
(, Wed 19 May 2010, 15:56, Reply)
and show 'em how it's done.
I want prohibition to come back so I can go to a bar like Fat Sam's Grand Slam speakeasy.
(, Wed 19 May 2010, 16:06, Reply)
it was legendary
(, Wed 19 May 2010, 16:15, Reply)
John Horn's 'Inside the Taj Mahal' is a great example of psychedelic jazz.
(, Wed 19 May 2010, 15:49, Reply)
I like Jamie Cullum [I've only really heard his first CD] but perhaps he is considered more pop than jazz, I also like Corinne Bailey Rae and she may be the same.
(, Wed 19 May 2010, 15:50, Reply)
but I really can't stand Jamie Cullum. I don't know whether that's me developing my own jazz-snobbery or whether it's just 'cause what I've heard of his output has been shite.
(, Wed 19 May 2010, 16:32, Reply)
I hated when Comander Riker would start playing in the middle of the chapter for no reason at all.
(, Wed 19 May 2010, 15:54, Reply)
to an amazing jazz band in a wine bar in Reykjavik once. I've never been able to remember the name of the bar or the band and it's rather gutting - I would have bought their cd but it was the night before my flight back and I didn't have enough cash left. /sigh
I listened to Led Bib recently, that's about as jazzy as it;s got. I didn't like them. I like John Coltrane though. Never heard any Thelonious Monk.
(, Wed 19 May 2010, 15:56, Reply)
Everywhere I went there was live jazz. I concluded that was all Montreal folk listened to. Right at the end of the week I realised why. Duh!
(, Wed 19 May 2010, 16:10, Reply)
N'Orleans. Or that area. I don't know names or whatever but just the feel of that music is nice. And some of the Cajun stuff.
(, Wed 19 May 2010, 15:58, Reply)
Where have you been all day?
(, Wed 19 May 2010, 16:06, Reply)
Went to hospital with wife. She needed a scan cos she's getting on and lady bits need looking at.
Then went shopping with boy for bits and pieces for his car.
I've also confirmed that by judicious use of spending constraints I really don't need to work anymore at the moment. Even less so come december.
In other news, just had confirmation that the last part of lump sum payments are on their way. The bank love me at the moment.
I promise that is the last gloat. I've cracked at least one molar due to jaw clenching while asleep. Fuck.
(, Wed 19 May 2010, 16:07, Reply)
was when I went for a meal at The Big Bang in Oxford which only does sausage and mash. But expensive high brow sausage and mash at £20 for sausage, mash and a glass of wine. Was in their underground room, with jazz playing quietly on the side. The band was pretty good, but I'd heard most of the songs which means it must have been ridiculously mainstream
(, Wed 19 May 2010, 15:59, Reply)
But then a track will turn up in a film soundtrack, and I see it all.
Film ends - the magic has gone. Go figure.
(, Wed 19 May 2010, 16:05, Reply)
cunts
(, Wed 19 May 2010, 16:07, Reply)
I kinda want to be, because Jazz/Blues bars look damn cool. I tried to get into some, as my Dad's a fan (and used to play organ in a jazz/blues band in his youth), but I just never got hooked.
Thing is, it just doesn't grab my soul like Rock, Metal or Industrial Hardcore do. I need a pounding bassline, or down-tuned grinding guitars.
(, Wed 19 May 2010, 16:08, Reply)
they're proper jazz metal. it's mental. or maybe Psyopus. that's proper proper bonkers.
(, Wed 19 May 2010, 16:15, Reply)
but it's just not my bag, baby
(, Wed 19 May 2010, 16:12, Reply)
I just cant get into it
(, Wed 19 May 2010, 16:17, Reply)
The blues singing dog with the hair over one of her eyes. She sang "He's a tramp".
Wait, I'll find a pic.

(, Wed 19 May 2010, 16:31, Reply)
that said, I love some Nina Simone stuff
(, Wed 19 May 2010, 16:14, Reply)
Not sure why I shared that...
(, Wed 19 May 2010, 16:26, Reply)
such as Let's Make Sex and Party Hard.
(, Wed 19 May 2010, 16:34, Reply)
it's the only song I don't absolutely butcher with my tone deaf ear. To be honest I only sing it quietly so no one hears and judges me.
(, Wed 19 May 2010, 16:37, Reply)
Jerusalem, You're So Rude, Message In A Bottle (must be idea association!) are my morning gifts to the street.
(, Wed 19 May 2010, 16:43, Reply)
that's where it's at
(, Wed 19 May 2010, 16:17, Reply)
was just the business. The fact that he had huge hands and used to play his left hand riffs in major 10ths certainly helped, but he was still head and shoulders above most other pianists in knowing how to knock a great jazz tune out of a piano.
(, Wed 19 May 2010, 16:14, Reply)
And spookily enough I've got his ...Plays the Cole Porter Songbook album on the headphones right now.
(, Wed 19 May 2010, 16:18, Reply)
That not one person has written something that indicates them turning towards the camera, looking straight into it, and saying 'Nice.'
(, Wed 19 May 2010, 16:14, Reply)
"There's two kinds of jazz and they're both crap"
Ymmv.
(, Wed 19 May 2010, 16:26, Reply)
I have a friend who’s a self-proclaimed jazz buff*. He’s a bit older then me and a rather serious, dour Scotsman. I used to DJ with him, we’d play funk and hip hop. Now, I remain CONVINCED he was into jazz as some kind of statement – some of the impenetrable bollocks he used to have on when I went round there was definitely for show: like 5 completely deaf people who’d never played an instrument before all hammering away at once in some kind of God-awful cacophony. Simply terrible.
But through my interest in hip hop and the move away from funk breaks in the early 90s (which had, by and large, been exhausted by producers), towards jazz samples, I discovered just how broad a palette jazz is. The Blue Note Breaks series of compilations is incredible: some of it’s a bit noodly but on the whole the selections are accessible and highly entertaining. Tracks like 'Walk Tall' by Cannonball Adderley or 'Repeat After Me' by The Three Sounds are fucking amazing.
I have another pal who claims to be into avant garde jazz and once again I’m certain it’s a pose. When I’m round his, he’s always trying to get me to listen to what sounds like a cat walking across the keys of a piano. It’s like a fucking endurance test.
*He once convinced me to spend £30 on a ticket to see Herbie Hancock at the Barbican. I’d been up all night and had trouble staying awake. My pal and his jazz-buff chums were laughing at me as I nodded off – but they were laughing on the other side of their berets when I woke up after a refreshing half-hour kip to find the same shitty, directionless tune that I’d fallen asleep to STILL PLAYING.
(, Wed 19 May 2010, 16:33, Reply)
is Everybody Wants to be a Cat.
Wow, I should really broaden my musical tastes outside the realms of Disney.
(, Wed 19 May 2010, 16:36, Reply)
I like jazz, but it has to have some sort of recognisable form to the melody or even the chord structure. Free form jazz is the musical equivalent of modern art. A lot of Jackson Pollocks.
(, Wed 19 May 2010, 16:36, Reply)
he puts on a nice bit of Bon Jovi, or Coldplay or...(what's middle of the road shit?) David Grey.
No wait...Lighthouse Family
(, Wed 19 May 2010, 16:36, Reply)
Sadé
But for bonus points - to whom did MdS dedicate his books?
(, Wed 19 May 2010, 16:52, Reply)
I am sure it has something to do with lubricants.
(, Wed 19 May 2010, 17:05, Reply)
she hasn't changed one bit since the 80's (in looks or sound)
(, Wed 19 May 2010, 16:56, Reply)
(, Wed 19 May 2010, 17:04, Reply)
When it's done well, it can be exciting, inventive, challenging and a real joy to listen to. Unfortunately there are always going to be some wankers who take it too far and disappear, sax, double bass and all, up their own posteriors. There are some, like Coltrane, Hancock and Monk, who veer very close to that line - some of their stuff is superb but other times you just wish they'd shut the fuck up.
As for the wankers that spend all their time making or listening to the really avant garde stuff, I agree, it has to be posturing. I really fail to see how anyone can get off on such formless noise, other than by getting off on other people's reaction to it.
Cannonball Adderley was superb - if you're ever in need of some mellow latin jazz, his Cannonball's Bossa album is worth seeking out.
(, Wed 19 May 2010, 16:42, Reply)
as one of the clearest examples of 'Emperor's New Clothes' music ever.
Everyone knows it's shit but some people are afraid to be the first one to say so, in case people think they don't 'get it' and it's somehow their fault.
(, Wed 19 May 2010, 16:45, Reply)
was the Humphrey Lyttelton Band. Now there was some good, straightforward, enjoyable jazz. A nice blend of swing and trad played by a superb team of musicians (of a very wide range of ages). No snobbery, nothing 'highbrow' about it, nothing you had to 'get.' I appreciate that a genre has to progress, and new and more inventive writers would be welcome to try and throw it around a bit, but I really wish some players would just stop, mid-saxophone wank and say,
"Guys, sorry, but this really is just shit, isn't it? Can we just play a bit of Gershwin for a change?"
(Now that I would pay £30 to see)
(, Wed 19 May 2010, 16:53, Reply)
it has some great lyrics some of which I will now relate:
"I wanna be a jazz guy and play black music for white people,
I wanna learn all the chords and solo till everyone in the room,
is bored,
beyond,
belief,
I can't wait,
for the end of my solo,
sweet sweet relief"
(, Wed 19 May 2010, 17:12, Reply)
There's a lot more to jazz than just some twat stood on a stage and farting through a saxophone for a hour.
Next time you've got some spare cash and are in the mood for some new music, pick up one of the Tru Thoughts Records samplers. The 10 Year Anniversary release is especially good.
Oh, and anyone who likes Nina Simone, try Alice Russell's Under The Munka Moon:
www.youtube.com/watch?v=DJ3g7gk15Tk&feature=related
(, Wed 19 May 2010, 18:44, Reply)
It's got a lot of Sly Stone and Indian classical influences and it's pretty thorny stuff, so most jazz purists hate it. I like Herbie Hancock's "Sextant" too, for similar reasons; plus I'm a big fan of analogue synths, mellotrons and the like.
(, Wed 19 May 2010, 19:56, Reply)
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