
Source images, and the ability to animate anything more than Hitler having a wank, I would probably have a go at a hover cat image
In the mean time, woos all round
( ,
Tue 18 Sep 2007, 18:01,
archived)
In the mean time, woos all round

stuff like this makes me wish I could decently animate...
( ,
Tue 18 Sep 2007, 18:02,
archived)

The printmeister becomes the animmeister...very woo floaty laser cat

the rest was shopped and recoloured by hand. Was trying to go for a comic book look but fucked it up at the end. :(
( ,
Tue 18 Sep 2007, 17:54,
archived)

of those Warhol Marilyn Monroe prints for some reason. Give him some green hair!
( ,
Tue 18 Sep 2007, 17:57,
archived)

Which means the comic look came across =]
ver' noice
( ,
Tue 18 Sep 2007, 17:59,
archived)
ver' noice

I couldn't remember his name but that was the style I was going for.
( ,
Tue 18 Sep 2007, 18:02,
archived)

that's why the reproduce so fast
( ,
Tue 18 Sep 2007, 18:02,
archived)



wow...i had way too much fun yesterday...
my Bestestfriendinthewholewideworld
is in town for a while so we went with our buddy Heidi down to the neighborhood bar...
after a couple drinks we got a bit bored so we started playing a game they have there.
essentially it is a little bucket full of bottlecaps on the backs of which is printed either rock,
paper or scissors. you draw out a cap and that is the choice you play. it is good fun,
but not nearly vulgar enough for our tastes.
so we changed it.
rock is now knob. scissors is vajayjay and paper is butthole.
same rules apply as the origional game, but now we can't even
get through a round without giggling manically.
try it! it is effing hilarious.

Something like "Arse cock or minge" but with hand symbols.
Either way, awesomely childish game, PERFECT for everyone =]
woo @ pic too
( ,
Tue 18 Sep 2007, 17:48,
archived)
Either way, awesomely childish game, PERFECT for everyone =]
woo @ pic too

"My bumhole totally just farted up your muff"
( ,
Tue 18 Sep 2007, 17:54,
archived)

I knew it was something incredibly childish and awesome.
Thankee =]
( ,
Tue 18 Sep 2007, 17:57,
archived)
Thankee =]

And it scares me because thats the industry I'm going into...
Peace and fucking...
( ,
Tue 18 Sep 2007, 18:05,
archived)
Peace and fucking...

I think it can still be done with hand gestures too
( ,
Tue 18 Sep 2007, 17:49,
archived)

I don't have the full set of three though
( ,
Tue 18 Sep 2007, 17:52,
archived)

damn. there must be a way of making this work
( ,
Tue 18 Sep 2007, 18:07,
archived)

:D
with 24 hour trans media coverage of the Knob, the Vajayjay and the Butthole
also there needs to be various marketing materials, and also plushies
( ,
Tue 18 Sep 2007, 17:55,
archived)
with 24 hour trans media coverage of the Knob, the Vajayjay and the Butthole
also there needs to be various marketing materials, and also plushies

who's talking about dicks, assholes and vaginas etc etc
/if you haven't seen it then it's too hard to explain
( ,
Tue 18 Sep 2007, 17:52,
archived)
/if you haven't seen it then it's too hard to explain

the bartender came over and we explained the game to him...
he gave that speech...it was great
( ,
Tue 18 Sep 2007, 17:56,
archived)
he gave that speech...it was great

We're dicks! We're reckless, arrogant, stupid dicks. And the Film Actors Guild are pussies. And Kim Jong Il is an asshole. Pussies don't like dicks, because pussies get fucked by dicks. But dicks also fuck assholes: assholes that just want to shit on everything. Pussies may think they can deal with assholes their way. But the only thing that can fuck an asshole is a dick, with some balls. The problem with dicks is: they fuck too much or fuck when it isn't appropriate - and it takes a pussy to show them that. But sometimes, pussies can be so full of shit that they become assholes themselves... because pussies are an inch and half away from ass holes. I don't know much about this crazy, crazy world, but I do know this: If you don't let us fuck this asshole, we're going to have our dicks and pussies all covered in shit!
( ,
Tue 18 Sep 2007, 17:57,
archived)

That's not the bar scene is it? I can remember the drunk guy ranting about it then the other fella (yeah I'm brilliant with names) vomits all over the place.
( ,
Tue 18 Sep 2007, 18:01,
archived)

there are so many great quotes from that film
( ,
Tue 18 Sep 2007, 18:05,
archived)

talking to the assembled leaders of the world. Tony Blair's in there somewhere.
( ,
Tue 18 Sep 2007, 18:06,
archived)

Its a Gambit figurine.
Go here - then click on the "available" link
Fancy an art exchange?
( ,
Tue 18 Sep 2007, 18:09,
archived)
Go here - then click on the "available" link
Fancy an art exchange?

Behind you!
"What?"
THERE'S A FUCKING KILLER LEMON! RUN!
( ,
Tue 18 Sep 2007, 17:36,
archived)
"What?"
THERE'S A FUCKING KILLER LEMON! RUN!

I think he had them before he had Motor Neuron Disease.
( ,
Tue 18 Sep 2007, 17:13,
archived)

Or is the one on the right just the one on the left with a bleached hairdo?
( ,
Tue 18 Sep 2007, 17:29,
archived)

*searches you tube*
www.youtube.com/watch?v=m4LnO510c4E
( ,
Tue 18 Sep 2007, 17:18,
archived)
www.youtube.com/watch?v=m4LnO510c4E

any luck on the free ps3 yet?
I'm thinking of getting a 360 soon, should i wait a bit?
( ,
Tue 18 Sep 2007, 17:14,
archived)
I'm thinking of getting a 360 soon, should i wait a bit?

got 6 towards a DS on another site (need another 8 though).
Almost finished Bioshock too, awesome game :D
( ,
Tue 18 Sep 2007, 17:18,
archived)
Almost finished Bioshock too, awesome game :D

wonderful game!
Got a DS too, with a nice 'device' that allows me to have 50 games in my pocket ;)
( ,
Tue 18 Sep 2007, 17:22,
archived)
Got a DS too, with a nice 'device' that allows me to have 50 games in my pocket ;)

And then it would be a good show.
( ,
Tue 18 Sep 2007, 17:16,
archived)

*turns additional 90*
*another 90*
*90 more*
*projectile vomits*
your mother sucks cocks in hell!
( ,
Tue 18 Sep 2007, 17:17,
archived)
*another 90*
*90 more*
*projectile vomits*
your mother sucks cocks in hell!

this is because Star Wars is ace.
And you do it well.
( ,
Tue 18 Sep 2007, 17:31,
archived)
And you do it well.

Itsverygoodandbrilliantlydonepleasedon'texecutemeI'lldoanything!
( ,
Tue 18 Sep 2007, 17:07,
archived)

They were rubbish. Are they still going?
Also woo pic.
( ,
Tue 18 Sep 2007, 17:04,
archived)
Also woo pic.


considering your still stood at the back of the queue :)
( ,
Tue 18 Sep 2007, 17:44,
archived)

/confused blog
( ,
Tue 18 Sep 2007, 17:00,
archived)

said its all OK now
and he has black eyebrows and white hair - so he is definitely trustworthy
( ,
Tue 18 Sep 2007, 17:02,
archived)
and he has black eyebrows and white hair - so he is definitely trustworthy

when I was half way through my tea. All kinds of wrong thoughts entered my head
( ,
Tue 18 Sep 2007, 17:07,
archived)

Where is she. Haven't heard from her in ages!
( ,
Tue 18 Sep 2007, 17:02,
archived)

Personally I think the woman in the pic looks pretty rough.
( ,
Tue 18 Sep 2007, 17:09,
archived)

She was around the other day and seemed her usual jolly self.
( ,
Tue 18 Sep 2007, 17:04,
archived)

than it's all back to normal
( ,
Tue 18 Sep 2007, 17:10,
archived)

or gushers
but again, what do I know?
( ,
Tue 18 Sep 2007, 17:08,
archived)
but again, what do I know?


because otherwise his cock gets in the way.
( ,
Tue 18 Sep 2007, 17:10,
archived)

but my dog doesn't wear glasses
so they're wrong, aren't they.
( ,
Tue 18 Sep 2007, 17:10,
archived)
so they're wrong, aren't they.

welcome back!
( ,
Tue 18 Sep 2007, 16:56,
archived)

Them dang aliens are back, stealin the cows..."
( ,
Tue 18 Sep 2007, 17:12,
archived)

It is making me very want to make an Independence Day confection now.
( ,
Tue 18 Sep 2007, 16:59,
archived)

Did you find the same tutorial I did?
( ,
Tue 18 Sep 2007, 17:54,
archived)

I do NOT need a picture of testicles and a penis on my screen at work, thank you all the same!
( ,
Tue 18 Sep 2007, 16:59,
archived)

As I scrolled past two pictures of pretty nearly-dressed ladies on the way here and nobody uttered a word about them...
Then you get a tiny bit of cock & ball and the worlds ending!
( ,
Tue 18 Sep 2007, 17:16,
archived)
Then you get a tiny bit of cock & ball and the worlds ending!

this pic was on the board before the ladies' knockers pics.
( ,
Tue 18 Sep 2007, 17:28,
archived)

It is wrong to see cinema as the art of image, it is also the art of movement, space, editing, acting and audio visual art. These elements can influence, combine or oppose each other. 2001: A Space Odyssey is described as āthe most cinematic of filmsā in that is speaks the pure language of cinema. However, I disagree with this statement. It has been said that it avoids dialogue, which is true, but only in a vocal sense. Where dialogue, nay; explanation, is needed, the film uses other methods to speak. For example, the subtitles and chapter headings placed into the film force the spectator to read much into the images that they otherwise might not have. Thus the band of ape-people going about their daily lives are subtitled The Dawn of Man bringing much meaning to them. Another example is that of HALās murder of the 3 hibernating crew members (not even dignified with names). No dialogue is ever spoken either during or after their deaths, but it is said that the medium of editing that is the sole medium of communication in āpureā cinema. Again, not so. The sequence would mean nothing without the use of text seen on screens around the ship. If the film were made just 10 or 15 years later (in the period of Alien and the Trek films) then these messages may well have been spoken aloud by some unseen female computerised voice. Again, this is the āpure cinemaā of audio and visual, but it is the language of text that makes the sequence clear. What happens, happens between the edits in the film and, specifically, the edits between the flashing text. Perhaps āPure Cinemaā can be applied to a few certain sequences in the film. The most obvious one is the āJupiter and Beyond the Infiniteā sequence where the only text and language to appear is the subtitle at the start, one so ambiguous to the audience that it may as well not be there anyway. What follows is a piece of cinema in its purest form, true audio and visual art.
Whenever the monolith appears, the scene ends with an audible and visual crescendo which is cut in a most immediate manner, via an edit. This ends all sound and picture and creates a definite before and after. First there is something, and then there is nothing. It is a form of instant communication, a basic foundation for cinema itself. The monolith can be seen as a physical representation of the cut, a representation of a chapters end, a full stop (or an exclamation mark) or even a physical representation of a cinematic piece of grammar, the fade to black (illustrated at the end of the film when the camera zooms into the monolith literally making the screen darker and darker until it becomes the next scene).
Edits in 2001 are presented as an act of abstraction, pure symbolism, especially the bone-satellite edit. One single twenty fourth of a second has never meant so much. The entire film is founded on abstraction and a kind of mysticism. For instance, the concept of rhymes is often brought up in discussion of the film. Repeated factors within the films running time that, importantly, are unaware of each other, because amnesia is a vital part of rhyme. For example, we see an ape run its hand along a smooth wall in pre-history, and the action is repeated by an astronaut in the future. But the most obvious one is that of incongruously placed objects, such as the unexpected appearance of a monolith at the dawn of man or a space-pod in a hotel lobby. The monolith itself is a vital part of the films mysticism. An anthropological symbol which cries out for multiple interpretations and a signifier of abstraction itself. It is the same in all instances, locations and scales.
However, I would like to elaborate on the films obsession with the before and the after. For example, in the scene which features HAL asking about loyalty to the ambiguous mission, he is answered and then immediately falters and starts his eventual downfall with the discovery (is it a fault in HAL or is HAL lying?) of the failing part of the ship. There is the Before (HALās question) and the After (the faulty part). What happened in the middle? What was the process that led from the before to the after? Itās a question the film raises but does not answer, an unseen process of HALās mind. This unseen process of thought is illustrated earlier in the film when we see HAL and Poole playing chess with each other. In chess, it is not so much the actions of the players that are important, but the unseen thought processes in their minds. Indeed, actions arenāt even part of the game played, as both players indicate the movement of the chess pieces only by voice.
Kubrickās shots are shrouded in these āinvisibleā processes. With a simple edit comes much meaning; where there was, now there is. One of the most iconic images from 2001, and indeed from the whole art of cinema itself, is that of a simple bone being thrown into the air and the cut to a satellite in the future. Again, the spectator is given no clues of the process between these two events, and the film doesnāt give us any later on, with no views of Earth life, even when Floyd video-phones his daughter at home. However, it is the symbolism and meaning of this single cut that shows the power of cinema itself. The bone goes up, and then falls down and then we see a shot of things that have gone up and stayed there. First a satellite, then the shuttle and eventually Floydās floating pen, his arm outstretched in zero gravity mirroring the actions of the ape-men earlier in the film. A single image illustrating the pinnacle of human triumph. This sequence also gives a view of infinite regression with the pen floating inside the shuttle floating inside the solar system floating inside the universe..etc. Another significant edit within the film concerns the death of Poole whilst fixing the antennae of the Discovery. We see one of the ships pods move on its own (we assume with HAL at the controls), we see Poole from the pods point of view, then the outstretched claws of the pod and then Pooleās body struggling as it floats away into the blackness of space. Another instance of Before and After, we do not see the event itself. We assume Pooleās oxygen line has been cut by the claws of the pod, but it may as well have been cut by the scissors that cut the celluloid film pieces. Murdered by an edit!
In 2001, the shots in the film are constantly juxtaposed through cuts. Since the 1920s, cinema has normally softened the jarring nature of a cut through use of continuity of movement, sounds and images. However, Kubrickās edits are purposely naked and devoid of this tradition. He delights in the Cut-Cut, cutting both sound and image, playing off the deep black of the space outside and the extreme white interiors of ships. The Cut-Cut is used to underscore the rupture between these two spaces absolutely.
2001: A Space Odyssey is undeniably one of cinemas most beautiful pieces of art. It may not be āpure cinemaā but it certainly exceeds at being successful cinema. A true piece of multi-levelled genius which constantly offers some new way to examine or just to enjoy.
( ,
Tue 18 Sep 2007, 16:56,
archived)
Whenever the monolith appears, the scene ends with an audible and visual crescendo which is cut in a most immediate manner, via an edit. This ends all sound and picture and creates a definite before and after. First there is something, and then there is nothing. It is a form of instant communication, a basic foundation for cinema itself. The monolith can be seen as a physical representation of the cut, a representation of a chapters end, a full stop (or an exclamation mark) or even a physical representation of a cinematic piece of grammar, the fade to black (illustrated at the end of the film when the camera zooms into the monolith literally making the screen darker and darker until it becomes the next scene).
Edits in 2001 are presented as an act of abstraction, pure symbolism, especially the bone-satellite edit. One single twenty fourth of a second has never meant so much. The entire film is founded on abstraction and a kind of mysticism. For instance, the concept of rhymes is often brought up in discussion of the film. Repeated factors within the films running time that, importantly, are unaware of each other, because amnesia is a vital part of rhyme. For example, we see an ape run its hand along a smooth wall in pre-history, and the action is repeated by an astronaut in the future. But the most obvious one is that of incongruously placed objects, such as the unexpected appearance of a monolith at the dawn of man or a space-pod in a hotel lobby. The monolith itself is a vital part of the films mysticism. An anthropological symbol which cries out for multiple interpretations and a signifier of abstraction itself. It is the same in all instances, locations and scales.
However, I would like to elaborate on the films obsession with the before and the after. For example, in the scene which features HAL asking about loyalty to the ambiguous mission, he is answered and then immediately falters and starts his eventual downfall with the discovery (is it a fault in HAL or is HAL lying?) of the failing part of the ship. There is the Before (HALās question) and the After (the faulty part). What happened in the middle? What was the process that led from the before to the after? Itās a question the film raises but does not answer, an unseen process of HALās mind. This unseen process of thought is illustrated earlier in the film when we see HAL and Poole playing chess with each other. In chess, it is not so much the actions of the players that are important, but the unseen thought processes in their minds. Indeed, actions arenāt even part of the game played, as both players indicate the movement of the chess pieces only by voice.
Kubrickās shots are shrouded in these āinvisibleā processes. With a simple edit comes much meaning; where there was, now there is. One of the most iconic images from 2001, and indeed from the whole art of cinema itself, is that of a simple bone being thrown into the air and the cut to a satellite in the future. Again, the spectator is given no clues of the process between these two events, and the film doesnāt give us any later on, with no views of Earth life, even when Floyd video-phones his daughter at home. However, it is the symbolism and meaning of this single cut that shows the power of cinema itself. The bone goes up, and then falls down and then we see a shot of things that have gone up and stayed there. First a satellite, then the shuttle and eventually Floydās floating pen, his arm outstretched in zero gravity mirroring the actions of the ape-men earlier in the film. A single image illustrating the pinnacle of human triumph. This sequence also gives a view of infinite regression with the pen floating inside the shuttle floating inside the solar system floating inside the universe..etc. Another significant edit within the film concerns the death of Poole whilst fixing the antennae of the Discovery. We see one of the ships pods move on its own (we assume with HAL at the controls), we see Poole from the pods point of view, then the outstretched claws of the pod and then Pooleās body struggling as it floats away into the blackness of space. Another instance of Before and After, we do not see the event itself. We assume Pooleās oxygen line has been cut by the claws of the pod, but it may as well have been cut by the scissors that cut the celluloid film pieces. Murdered by an edit!
In 2001, the shots in the film are constantly juxtaposed through cuts. Since the 1920s, cinema has normally softened the jarring nature of a cut through use of continuity of movement, sounds and images. However, Kubrickās edits are purposely naked and devoid of this tradition. He delights in the Cut-Cut, cutting both sound and image, playing off the deep black of the space outside and the extreme white interiors of ships. The Cut-Cut is used to underscore the rupture between these two spaces absolutely.
2001: A Space Odyssey is undeniably one of cinemas most beautiful pieces of art. It may not be āpure cinemaā but it certainly exceeds at being successful cinema. A true piece of multi-levelled genius which constantly offers some new way to examine or just to enjoy.

but what i did read resente a well constructed and literate argument
B+
( ,
Tue 18 Sep 2007, 16:59,
archived)
B+

but then I decided not to bother, and had a KitKat Chunky instead.
( ,
Tue 18 Sep 2007, 17:27,
archived)

i would like to potatoshop it myself if that would be ok with yourself.
( ,
Tue 18 Sep 2007, 16:48,
archived)

you terrible, terrible man. stay away from that poor bloody cat, you should be ashamed!
( ,
Tue 18 Sep 2007, 16:48,
archived)

J-Rod: Not a problem at all
*Hugs all around*
*Mutual masturbation*
*Amicable parting*
THE END
( ,
Tue 18 Sep 2007, 16:54,
archived)
*Hugs all around*
*Mutual masturbation*
*Amicable parting*
THE END

I love the source picture so much it should be illegal.
( ,
Tue 18 Sep 2007, 17:10,
archived)

*Steptoe and Son sound*
( ,
Tue 18 Sep 2007, 16:48,
archived)


Trust me, the place is full of Jabba's
( ,
Tue 18 Sep 2007, 17:46,
archived)


i'm yet to find a profanity that isn't.
( ,
Tue 18 Sep 2007, 16:55,
archived)

i likey!
TJ can someone click on this lnk and tell me if the site is working, or if it's just my pooter being gay. www.uber.com
( ,
Tue 18 Sep 2007, 16:36,
archived)
TJ can someone click on this lnk and tell me if the site is working, or if it's just my pooter being gay. www.uber.com

too many horses out there...

you can't un-read it!!!!
edit - you'll also probably die in 7 days unless you link it and get someone else to read it. That's what the lady on the phone told me.
Good luck with that!
( ,
Tue 18 Sep 2007, 16:48,
archived)
edit - you'll also probably die in 7 days unless you link it and get someone else to read it. That's what the lady on the phone told me.
Good luck with that!

can't say if the music does too, I don't have sound on this machine
( ,
Tue 18 Sep 2007, 16:39,
archived)

thanks for checking tho!
( ,
Tue 18 Sep 2007, 16:41,
archived)

i bet noone of you guys could give a shit about it too!
Life's so unfair...
/emoblog
( ,
Tue 18 Sep 2007, 16:50,
archived)
Life's so unfair...
/emoblog

(also woo and yay... but mostly I have little sympathy for having too much holiday, unless you keep making good things like this)
( ,
Tue 18 Sep 2007, 16:37,
archived)

since last Christmas and I have been really looking forward to it.
( ,
Tue 18 Sep 2007, 16:40,
archived)

and is that not you in the 4th frame?
( ,
Tue 18 Sep 2007, 16:40,
archived)
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